Subscribe to our Newsletter and Get a Free Sampler of Screenwriting Unchained by Emmanuel Oberg

This PDF sampler (first fifty pages) includes the contents, the introduction and most of the first chapter. In this book, written for storytellers eager to reach a wide audience at home and abroad, Oberg sets out a dogma-busting method that will transform the way you develop screenplays.

privacy We value your privacy and would never spam you

Emmanuel is a screenwriter, author and script consultant with more than twenty years of experience in the Film and TV industry. After selling a first screenplay to Warner Bros, he has been commissioned as a writer by StudioCanal, Working Title / Universal, Gold Circle and Film4. For more information, please click here.

video placeholder

What People Say

About Screenwriting Unchained

  • Screenwriting Unchained is the lightsabre of screenwriting books.
    Matthias Hoene Matthias Hoene Multi-award winning film and content-branded director
  • Without question the most useful book in the marketplace on the writing and development process.
    Dan MacRae Dan MacRae Head of UK Development, StudioCanal
  • A fabulous one-stop, practical tool box for writers and developers.
    E. J. Clarke E. J. Clarke Head of Film and TV at ShoeBox Films and author
  • A refreshing new book all writers should consider studying.
    Max Timm Max Timm International Screenwriters Association (ISA)
  • Highly recommended for anybody in the business of film, with an interest in film, or simply with an interest in how and why stories work.
    Simon Bovey Simon Bovey Scriptwriter, director and university lecturer in screenwritng
View Book on AmazonThis affiliate link will take you to the closest Amazon store
Screenwriting Unchained Reached the #1 Bestselling Spot in These Countries
on Amazon in at least one Screenwriting category (#2 in the UK)

About the Book

In Screenwriting Unchained, Emmanuel Oberg sets out a dogma-busting, innovative method for developing screenplays

This practical, no-nonsense guide leaves behind one-size-fits-all story theories and offers a refreshingly modern approach to story structure, making it a precious resource for anyone involved creatively in the Film and TV industry (or aspiring to be): writers, directors, producers, development execs, showrunners and, more generally, storytellers eager to reach a wide audience at home and abroad without compromising their creative integrity.

Oberg identifies three main story-types―plot-led, character-led, theme-led― then reveals in a clear, conversational style how each of these impacts on the structure of any story and how we can use a single set of tools to develop any screenplay, from an independent crossover to a studio blockbuster. Crucially, he also looks at hybrids and exceptions, those unique gems that don’t fit any of the story-types but still work beautifully.

This leads to the Story-Type Method®, a powerful yet flexible way to handle the script development process. Oberg’s inspiring framework doesn’t tell filmmakers what to write and when, but focuses instead on why some storytelling tools and principles have stood the test of time, and how to use them in the 21st century.

According to readers, Oberg’s new approach is a game changer.

Here are some of the easy-to-understand concepts explored in Screenwriting Unchained  that will help you improve any  screenplay

  • How to identify the story-type of your project to make its development faster and easier and to solve most story structure problems.
  • How to leave behind the prescriptive, logistical three-act structure based on page numbers or minutes and replace it with a flexible, dramatic three-act structure that will help you design a rock-solid screenplay.
  • How focusing on emotion, character development and managing information will allow you to go beyond the “protagonist–goal–obstacles–conflict” basic chain of drama.
  • How to use the fractal aspect of structure to design not only the whole story but also its parts in order to avoid the dreaded "sagging middle" syndrome and breathe new life into your script.
  • How to clarify what’s at stake and increase your chances of getting the project made with a new take on Maslow’s Hierarchy of Needs.
  • How to use subgoals to Sequence the Action in your story and psychological/emotional steps to Sequence the Evolution of your characters.
  • How to keep the audience engaged using tools like dramatic irony, surprise, mystery and suspense, adding a third dimension to your storytelling.
  • How to master these tools and principles in scenes through practical exercises before using them in a short film, a feature film, a TV episode or a whole series following hands-on tips and advice.
  • How to design an attention-grabbing opening and a satisfying ending.
  • How to deal with hybrids and exceptions, as story structure isn't about forcing all narratives into a single formulaic paradigm.
  • How to approach a new draft creatively and efficiently with The Rewrite Stuff: 12 Ways to a Stronger Screenplay.
  • How to make the difference between selling documents – used to raise development or production finance – and story design tools.
  • Once you've developed a killer script, how to best pitch your project according to its story-type and get enthusiastic partners on board.
  • …and much, much more!

If you’ve ever questioned why screenplays should be structured in three acts, eight sequences, fifteen beats or twenty-two steps then this first volume in the series was written for you. And if you never have, well… no time like the present!

Including case studies from films as diverse as Gravity, Silver Linings Playbook, Crash, The Intouchables, Birdman, Edge of Tomorrow, The Secret in Their Eyes, L.A. Confidential and The Lives of Others, Screenwriting Unchained will transform the way you write, read, pitch, design, assess and develop screenplays. Guaranteed!

About Emmanuel Oberg

Emmanuel is a screenwriter, author and script consultant with more than twenty years of experience in the Film and TV industry. After selling a first screenplay to Warner Bros, he has been commissioned as a writer by StudioCanal, Working Title / Universal, Gold Circle and Film4.

He has also designed an internationally acclaimed 3-day Advanced Development Workshop and 2-day modules on thriller, comedy, animation and TV Series, all based on his innovative Story-Type Method. He delivers them with passion to storytellers around the world.

Emmanuel lives in the UK with his wife and their two daughters. His film and TV agent is Rachel Holroyd at Casarotto in London.

As a screenwriter, Emmanuel has been commissioned by:

Screenwriting_Logos

View Book on AmazonThis affiliate link will take you to the closest Amazon store

Have You Bought Screenwriting Unchained?
Register to Access to Your Bonus Content!

What People Say About Screenwriting Unchained

  • Without question the most useful book in the marketplace on the writing and development process.  Eschewing a dogmatic approach to structure, Oberg allows for a methodology which embraces the diversity of stories that writers wish to tell and comes up with clear and practical approaches to developing narratives.  This is a highly refreshing approach to the subject and one highly recommended to everyone from the aspiring screenwriter to the overburdened development exec.
    Dan MacRaeHead of UK Development, StudioCanal
  • Screenwriting Unchained is an incredibly comprehensive book and an impressive achievement indeed. In particular, the way Oberg devises a properly 'unified theory' that is creatively rather than orthodoxy led makes it a fabulous one-stop, practical tool box for writers and developers. I for one will be recommending it heartily (and using it in my writing no doubt!)
    Ed ClarkeHead of Film and TV at Shoebox Films, author of the Rowan Oakwing series as E.J. Clarke
  • I really hate to review this book, because I don't want the competition knowing about it--it's that good. But I'm doing it to support and encourage Emmanuel's brilliant efforts.
    Steven EnloeWriter
  • This book really resonates with my approach to stories and writing - the parts on character-led stories are something fresh after seeing book after book talk solely about protagonists with a want who must overcome obstacles to defeat etc etc etc. It helps fit together the pieces of some more human-journey style films like Groundhog Day and Silver Linings Playbook, and is already helping me get greater clarity on a few stories I'm working on. It's written clearly, and there is a ton of detail once you get into some of the worked examples. If you're not convinced by some of the stuff you've read on how to go about writing a 'Hollywood' film, then check this book out.
    Tony WilkesWriter
  • As a late starter in screenwriting, I have worked through more than a hundred screenwriting books over the last six years, rarely completing most as they tend to repeat the same content absorbed in previous books. Screenwriting Unchained is the exception. Brilliant content, great structure and a refreshing perspective utilizing Maslow's well-known hierarchy of needs as a critical point of reference in screenwriting. Great book and well presented - a must read for new and experienced screenwriters. I believe in organising - I dislike being chained!
    Piet MaraisFilmmaker
  • Whenever I worked with Emmanuel, I was always blown away by his razorsharp insight on how to construct and structure screenplays. Now he's collated all his insights into a book that should be required reading for any writer/director, writer or anyone dealing with the script development process. Screenwriting Unchained is the lightsabre of screenwriting books: the Story-Type Method cuts through to the essence and guides you when you are lost.
    Matthias HoeneMulti-award winning film and branded content director
  • I think I have read most of the decent screenwriting books available and this one is by far the best value for money/time/effort. It is not overridden with theory but it manages to present a simple and easy-to-follow model, supported by plenty of examples. There is no magic - it all boils down to what the story of your characters is and who they are faced against (someone/something external or themselves, for example). I read it in one day and it answered many of my questions and I am sure I will read it again and again. If you want to read on this topic or if you are writing scripts (like me) - this is the first book you should buy.
    Marcin OstaszWriter
  • This is a fantastic handbook for screenwriters, or for anyone working with them. It is clear enough to be accessible if you are new to screenwriting, but deep and wide-ranging enough to work as a guide for experienced professionals, or for producers or development executives. The theory is explained clearly, with great examples from a wide range of films. I particularly like the practical exercises, which make the process of writing less intimidating, and help you 'self-assess', both on scene writing and overarching story structure. I have read many books on this subject, and this is among the best out there.
    Toby GarfathWriter and teacher
  • One of those seldom books that makes you rethink what you know and inspires you to look outside the Hollywoodian paradigms.
    Frederick Peter HowardProducer
  • This remarkable and brilliant book really gives the tools needed to write a successful screenplay. Not only that, it is written in such a clear and exciting way that it is difficult to put down. [Oberg] starts with The Story-Type [Method]. He discusses the Three-Act Structure and the difference between Plot-led, Character-led and Theme-led stories, and introduces a new approach to story structure. A little later he introduces an extremely useful psychological theory called The Hierarchy of Needs, proposed by Maslow in 1943, and applies it to screenwriting where it can be a framework to help us to think about the key elements of story design. His application is absolutely fascinating. Emmanuel writes in a wonderfully conversational way, I feel that he is here, talking to me, like a friend. I learnt from page one and could not stop. All aspects of structure are analysed and explained, interesting case studies are given, and we are encouraged to have a go, to design a scene, and to check the result with his help. And, he gives pointers for the making of a pitch when we set about selling the story. All I can say to Emmanuel is thank you for this practical and inspirational book.
    Brian O'BaiollNovelist and playright
  • Having read a preview copy, I can say that Oberg has come up with something of use for the novice and the professional alike. His deep understanding bridges the desire to be creative and yet serve that creativity with a solid use of structure. This is a lesson from a master of his craft. Buy and learn.
    Sebastian FosterWriter
  • Brilliant anaphylactic deconstruction of scriptwriting.
    Robert AtkinsonWriter
  • Written with great clarity coupled with a deep understanding of the craft of screenwriting. Rather than (mis-)sell you a paradigm, Emmanuel's book equips you with the tools to create, to analyse, and to improve your stories and screenplays, all backed up by robust and comprehensible theory as well as practical, relatable examples. Highly recommended for anybody in the business of film, with an interest in film, or simply with an interest in how and why stories work.
    Amazon Customer
  • This is a really clear and intelligently laid out book. Each section flows logically and easily into the next. It is very accessible and the principles are quick to grasp. It has some truly inspired chapters, use of Maslow, break down of types of story and above/below line requirements. There are proper workable tools to use when approaching rewriting too which is so often overlooked in other books. Just when I thought there couldn’t possibly be anything more to add on the subject of screenwriting, this book finds it.
    Simon BoveyFilmmaker and university lecturer on screenwriting
  • Having read an early review copy of Screenwriting Unchained, I can say that this is without a doubt the best book on screenwriting and story structure available today. It offers a wide selection of screenwriting and diagnostic tools, some of these completely original – for example the Story-Type Method itself providing three main structural templates (plot-led, character-led and theme-led), or the idea of applying Abraham Maslow’s Hierarchy of Needs to screenwriting in order to assess a project's potential audience. Initially following in the footsteps of Aristotle, Edward Mabley, Frank Daniel or Yves Lavandier, Emmanuel Oberg moves on from these sources of inspiration through a number of theoretical and technical aspects, but also through his refusal of any formula. Instead of restraining filmmakers' creativity with dogmatic principles, the Story-Type Method provides the freedom to leave the so-called rules aside. The detailed case studies (Misery, Billy Elliot, Gravity, Silver Linings Playbook, Crash) are remarkable.
    Gregory KourilskyFilmmaker and anthropologist
  • Admirer of William Goldman, Emmanuel Oberg has a unique talent for revealing the dramatic structure of any movie. The Story-Type Method allows you to strengthen any story as you're designing it and Oberg's brilliant idea to apply Maslow's Theory of Human Needs to screenwriting will rescue many writers in danger of getting lost. This book is a remarkable achievement and any storyteller will benefit from it. It's an unmissable contribution to the topic.
    Jean HarambatGraphic novel author
  • Screenwriters tend to rely too heavily on formula, as if there is a plug-and-play recipe for creating art. What Oberg does with this Screenwriting Unchained book is offer a background on what he calls “logistical structure” and why it has worked for so long, but then focuses the writer on “dramatic structure” which instead allows the writer to breathe, present emotion on the page in a more fluid manner, and concentrate on the most important element of storytelling; presenting an emotional experience to an audience. A refreshing new book all writers should consider studying.
    Max TimmInt’l Screenwriters Assoc (ISA) and author of YA fantasy novel, The WishKeeper
  • I met Emmanuel Oberg a long time ago, when he was teaching screenwriting, based on Lavandier's book "Writing Drama".
    Since then, his reflexion evolved to a new paradigm, and while still paying his tribute to his former mentor, he proposes now a new approach of screenwriting, giving less importance to the three act structure as promoted by scores of others (Syd Field...) to introduce the story-type method ®.
    In this book, you'll discover how to structure your story according to its story-type : Plot-led story, Character-led story, Theme-led story, and Hybrid or Exception.
    When I read it, I was working on a character-led story (which I didn't know by then) and Oberg's insight greatly helped me in finalizing my project.
    If, like me, you are always looking for new ways to improve your writing and make it more efficient, this book belongs to your library, along with the best books devoted to the writing (and screenwriting) trade.
    Gilbert GallerneNovelist and screenwriter
Found Screenwriting Unchained helpful?
Please share your experience!

View Book on AmazonThis affiliate link will take you to the closest Amazon store

Over the last two decades, Emmanuel has worked as an international script consultant, in parallel with his writing, on both film and TV projects. He also offers a slate assessment service for producers. For more information, please click here.

"Very thorough understanding of the inner workings of our craft, guaranteed to spark fresh thoughts that will be benefit your next project, no matter how experienced you are."
Mike van Diem, Academy Award Winning writer-director

Registration subscribes you to our newsletter and unlocks exclusive content: online documentation for our workshops, case studies and our interactive online tool to help you develop your projects. Registration is entirely free.

facebook_emmanuel_oberg_writer twitter_icon1  youtube_icon1

Log In