The Structurator

This interactive story tool will help you to better understand the story engine of your project, making sure it’s firing on all cylinders. It’s designed to work with feature film and TV Series. You’re doing most of the thinking, so its intelligence is not as artificial as it sounds and it’s definitely not prescriptive.

Best of all, it’s free and entirely web-based, so there is nothing to install and no risk in trying it. Enjoy!

IMPORTANT: if you’re reading this, it means that The Structurator is still locked. 🙁

To unlock The Structurator and enable all the features listed below, you need to register (it’s free) or to log in and then come back to this page.

The Structurator offers:

  • An interactive story tool designed to help you improve your story-engine and lead you to the relevant information
  • The option to bypass the interactive part and access directly the content related to your project
  • Essential structural tips and advice specific to each individual story, even the most unclassically designed ones
  • A fun, interactive introduction to the Story-Type Method
  • A selection of videos from our Advanced Development Course introducing each story-type
  • Many examples of films or TV Series – both classics and recent ones – based on each story-type
  • A risk-free experience: There is nothing to download or install, it’s entirely web-based, and it’s FREE!

To access The Structurator and give it a chance to help you improve your feature film or TV Series project, you just need to register or to log in.

See you on the other side! 🙂

What People Say About The Structurator

The damn thing works!!!

Leonard Kadner

I love the Gestalt of this idea/approach!

Richard Lamborne

I found the Structurator hugely helpful. I worked in script development for almost a decade, and nobody taught me more about the craft of screenwriting than Emmanuel. The Structurator is almost as useful as having him in the room, asking you questions which can frame your thinking about a project. Story problems that seem to be about the detail of particular scenes are often more about the big questions: who wants what, and what’s getting in the way? Playing around with the Structurator breathed new life into an idea I’ve been toying with for years. Great!

Toby Garfath

I have worked with Emmanuel on and off for two decades, so I thought I knew it all… but to see his theories mapped out in such detail here and to test my own story material against the brilliant Structurator was quite an eye-opener. As ever, with what seems like effortless common sense, he makes you drill down to the core story questions you thought you’d already answered… with some pretty ‘dramatic’ results! I am so pleased to see an alternative to the ‘studio system’ manuals we all know and slightly loathe – his approach is outside any ‘formula’ and is tremendous for those who need focus or, as I have felt so often, are feeling STUCK. In my experience, his Structurator could also be called The Re-Enthuser, (though it is not half as good a name)… I went back to work with renewed belief and better ideas.

Eileen Horne

The Structurator is indeed useful. By defining your story-type, it makes you think about broader possibilities for your script. Something the experienced writer needs to examine as much as the starting writer does. Oberg knows his stuff and can present the art in a clear and different way. I’d recommend using The Structurator on all your scripts and seeing where its conclusions might take you.

Sebastian Foster

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